Andrew J. Fletcher

My Thoughts on Lexington Avenue

Photo by Derek Olson.

Lex­ing­ton Ave. and Col­lege St. Photo by Derek Olson, via asheville-nc-photography.com

This is a Let­ter to the Edi­tor style post in response to two arti­cles in the Moun­tain Xpress. The first was pub­lished in the print edi­tion Decem­ber 5: No easy answers: Lex­ing­ton Avenue’s uncer­tain future by David Forbes. The sec­ond was pub­lished online Decem­ber 12: Mer­chants protest Dec. 5 Lex­ing­ton Avenue story by Caitlin Byrd.

I used to work in the pro­duc­tion depart­ment for a daily, inde­pen­dently owned and pub­lished news­pa­per. We fre­quently heard the kinds of con­cerns expressed in Ms. Byard’s arti­cle and we had to tread care­fully. I lis­tened care­fully to the in-house edi­to­r­ial dis­cus­sions about what to do when adver­tis­ers expressed con­cerns about pub­lic­ity they per­ceived as negative.

First and fore­most, a news­pa­per has to be hon­est to its read­ers, oth­er­wise read­ers will feel cheated and look else­where, which ulti­mately hurts the newspaper’s bot­tom line and dimin­ishes the sense of com­mu­nity that a qual­ity news­pa­per pro­vides. A reader who is less likely to trust the edi­to­r­ial con­tent is also less likely to trust the adver­tise­ments in such a news­pa­per. For an extreme exam­ple: Ask your­self how much you trust the adver­tise­ments in the tabloids in the check­out line. About as much as their exposé story of ‘Bat Boy’? A news­pa­per with integrity is a bet­ter place for con­sumers to make choices about where to spend their dol­lars. Pulling adver­tis­ing because of a ‘neg­a­tive’ story hurts the adver­tiser and the con­sumer more than than the newspaper.

Can an arti­cle on increased crime lead to less crime in the future? Because of the respect that the XPress has in our com­mu­nity and it’s con­tin­ued abil­ity to start con­struc­tive dia­log (such as this one), I think so. A neg­a­tive story can increase and main­tain the integrity of a news­pa­per, lead­ing to pos­i­tive change for the entire community. The Xpress has that legit­i­macy because it doesn’t look the other way when con­fronted with an uglier face of real­ity than we would all like to see. I put a high value on that.

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